REVIEWER COMMENTS AND CITATIONS


"This is one of those rare bibliographies that is fun to read; it is also an important contribution to documenting the link between classical and rock music. Recommended for music and reference collections." Mary Larsgaard AMERICAN REFERENCE BOOKS ANNUAL

"Duxbury's two volumes are invaluable resources for identifying the classical music borrowings and adaptations in contemporary songs." B. Lee Cooper POPULAR MUSIC AND SOCIETY

"Every academic library and music archive should secure a copy of this unique discography. Most popular culture scholars and musicologists will also want to obtain this study." B. Lee Cooper ARSC JOURNAL (Association for Recorded Sound Collections)

"The 'fascinating profusion' of connections between rock and classical music genres is dizzingly displayed here ...." Jean Bonin SONNECK SOCIETY BULLETIN

"Fascinating compilation, especially in its documentation of rock's borrowings from the classical (Bach, by the way, wins by a mile)." POPULAR MUSIC (UK journal)

BIBLIOGRAPHIC CITATIONS AND/OR FOOTNOTES TO MY DISCOGRAPHIES OCCUR IN:

Borders, James. "Form and the concept album: aspects of modernism in Frank Zappa's early releases" PERSPECTIVES OF NEW MUSIC, v.39, no.1 (Winter 2001) pp. 118-160.

Clarke, David. "Elvis and Darmstadt, or: Twentieth-Century Music and the Politics of Cultural Pluralism" TWENTIETH-CENTURY MUSIC, v.4, no.1 (March 2007), pp. 3-45.

Cooper, B. Lee. ROCK MUSIC IN AMERICAN POPULAR CULTURE II: MORE ROCK 'N' ROLL RESOURCES. New York: Harrington Park Press, 1997.

Cooper, B. Lee. "Teaching with Popular Music Resources: A Bibliography of Interdisciplinary Instructional Approaches" POPULAR MUSIC AND SOCIETY, v.22, no.2 (Summer 1998), pp.85-115.

Deweppe, Alexander. VAN PAGANINI TOT PETRUCCI: EVOLUTIE VAN KLASSIEK CITAAT IN VIJFTIG JAAR ROCKGESCHIEDENIS. Gent, Belgium: Universiteit Gent (dissertation), 2006. Complete text at:
http://vibeserver.net/scripties/paganini%20tot%20petrucci.pdf

Duckles, Vincent H. MUSIC REFERENCE AND RESEARCH MATERIALS: AN ANNOTATED BIBLIOGRAPHY (5th ed.). New York: Schirmer Books, 1997.

Gendron, Bernard. BETWEEN MONTMARTRE AND THE MUDD CLUB: POPULAR MUSIC AND THE AVANT-GARDE. Chicago: University of Chicago Press, 2002.

Gómez, Guillermo Delis. ROCK PROGESIVO EN ESPAŃA COMO CONTRACULTURA EN LOS AŃOS DEL TARDOFRANQUISMO: CANARIOS Y CICLOS. Madrid: Universidad Complutense de Madrid (dissertation), 2017. Complete text at: http://eprints.ucm.es/42368/1/T38721.pdf

Gottlieb, Jane. MUSIC LIBRARY AND RESEARCH SKILLS. Upper Saddle River, N.J. : Pearson Prentice Hall, 2009.

Grimshaw, Jeremy. "High, 'Low,' and Plastic Arts: Philip Glass and the Symphony in the Age of Postproduction" MUSICAL QUARTERLY, v.86, no.3 (Fall 2002), pp. 472–507.

GUIDE TO REFERENCE BOOKS (11th ed.) edited by Robert Balay. Chicago and London: American Library Association, 1996.

Halbscheffel, Bernward. ROCKMUSIK UND KLASSISCH-ROMANTISCHE BILDUNGSTRADITION. Berlin: Freie Universitat Berlin (dissertation), 2000. Complete text at: http://www.diss.fu-berlin.de/diss/receive/FUDISS_thesis_000000000224

Halbscheffel, Bernward. ROCK BAROCK - ROCKMUSIK UND KLASSISCH-ROMANTISCHE BILDUNGSTRADITION. Berlin: Halbscheffel Verlag, 2001.

Hoffman, Frank W. THE LITERATURE OF ROCK III, 1984-1990. Metuchen, NJ: Scarecrow Press, 1995.

Krowicki, Marek. CONTEMPORARY ROCK FORMATIONS: ROCK ELEMENTS IN CLASSICAL MUSIC. Montreal: McGill University (dissertation), 2015. Complete text at: Contemporary Rock Formations: Rock Elements In Classical Music.pdf

Macan, Edward. ROCKING THE CLASSICS: ENGLISH PROGRESSIVE ROCK AND THE COUNTERCULTURE. New York and Oxford: Oxford University Press, 1997.

Matson, Joseph R. INTERTEXTUALITY IN POPULAR MUSIC AFTER 1965. Minneapolis: University of Minnesota (dissertation), 2016. Complete text at: Intertextuality in Popular Music after 1965.pdf

Palmer, John R. "Yes, ‘Awaken’, and the progressive rock style" POPULAR MUSIC, v.20, no.2 (2001), pp. 243–261.

Pirenne, Christophe. LE ROCK PROGRESSIF ANGLAIS: 1967-1977. Paris: Champion, 2005.

POPULAR MUSIC STUDIES: A SELECT INTERNATIONAL BIBLIOGRAPHY. London and Washington, DC: Mansell, 1997.

Stroh, Patricia. "Recent Beethoven and Beethoven-Related Books and Music Editions (1999-2001)" BEETHOVEN JOURNAL, v. 16, no. 2 (Winter 2001), p. 97.

Stump, Paul. THE MUSIC'S ALL THAT MATTERS: A HISTORY OF PROGRESSIVE ROCK. London: Quartet Books, 1997.

Tamm, Eric. BRIAN ENO: HIS MUSIC AND THE VERTICAL COLOR OF SOUND. Boston: Faber and Faber, 1989.

Vaculíková, Jana. NEOKLASICKÝ STYL ROCKU NA PŘÍKLADU TVORBY Y. MALMSTEENA. Olomouc, Czech Republic: Univerzita Palackého v Olomouci (dissertation), 2015. Complete text at:
https://theses.cz/id/e17v4o/J_Vaculkov_-_Neoklasick_styl_rocku_na_pkladu_tvorby_Y._Ma.pdf

MY DISCOGRAPHY WAS MENTIONED AND QUOTED BY PETER SCHICKELE (aka P.D.Q. BACH) ON HIS NATIONAL PUBLIC RADIO SERIES "SHICKELE MIX" (Program no. 34 - The Bach of Gibraltar).

BACK TO MAIN PAGE